My shaped abstract painting supports a core premise that a painting can be a dynamic, powerful visual statement if it is involved in the actual space of the viewer. I fabricate structures in a sculptural high relief that break edges and surfaces with a variety of applied materials to increase visual meaning.
Ken has been exhibiting his artwork since 1962 with a first New York City solo exhibition in 1972. Reviews of his work appeared in Art in America, The New York Times and The Newark Star Ledger. Ken maintains a studio in Milford, New Jersey.